EVAN ALEXANDER

My role was to visualize the general look of the base set of the 2019 MTV Video Music Awards for design development and discussion. I was brought in early in the process before video content and band looks were solidified. I was given 3D CAD files from the art director to turn into lighting and volume studies. I also modeled the Prudential Center from scratch.

Production Design: Julio Himede

Art Director: Matt Steinbrenner

I worked with Production Designer Jason Ardizzone-West for about 5 months through the design cycle of this touring set. My role was to visualize the overall design with an emphasis on lighting and video opportunities throughout the development process. I also took over the drafting packet for the final round of drawings that had been started by Jason’s studio.

Scenic Design: jason Ardizzone-West

Director: Jenny Koons

Lighting: Jen Schriever

Video: Lucy Mackinnon

Costumes: Emilio Sosa

Studio CAD Associates: Libby Stadstad & Anton Volovsek

I was brought in to visualize a large scale Radio Disney pitch for an event at Barker Hangar in Santa Monica. Outside the hanger was a festival like setting with multiple stages, activities and events while the live show and concerts happened inside.

Production Design: Tom Sutherland: DX7 Design

Creative Direction: Raj Kapoor Productions

My role was to model the stage design in CAD and put it into context for design analysis and discussion. I also provided rendered view Photoshop templates for Production Designer Jason Sherwood and content creators Studio Moross to experiment with different looks, colors and mood.

Creative Director & Producer Lee Lodge
Set Design: Jason Sherwood
Art Direction: Kate Moross
Lighting Design: Tim Routledge
Costume Design Gabriella Slade

I helped Production Designer Amy Gavin visualize the new updated 30 Minute Meals show for 2019: turning an existing loft in Brooklyn into a full functioning television kitchen and studio. All aspects of these renderings were modeled, textured and lit in 3D from the architecture to all the dressings.

I was tasked with helping the props department design a sword for the Paul “Jesus” Monroe character. They provided basic dimension that they had fitted with the actor and some research from the comic book and previous figurines of the character. I designed and rendered three options for them to look over - with all parts and pieces being modular and interchangeable.

I was responsible for visualizing the design at key moments in the production. I also developed general work light and clay renders to help aid in advancement, understanding and discussion for the design process over a 5 month period. The model was created by several of us along with Jeff Hinchee's amazing paint elevations - my key role in modeling was all of the scaffold system. 

Winner: 2018 Emmy Award for Outstanding Production Design for a Variety Special

Production Design: Jason Ardizzone-West

Art Director: Melissa Shakun

Modeling by: Dan Soule, Evan Alexander, G. Warren Stiles

Texture artwork creation: Jeff Hinchee

My role was to visualize Jason Sherwood's beautiful design into a sort of storyboard for the evening based on his direction. This is also the first time I have done a completely CGI audience for rendering.

Production Design: Jason Sherwood

Lighting Design: Tim Routledge

Creative Direction: Lee Lodge

I worked with designers Christine Jones and Brett Banakis for a year on the development of the exterior marquee treatments of the newly renovated Lyric Theater for the New York production of Cursed Child Parts 1 & 2. Both the 43rd and 42nd Street entrances. My role was to provide concept renderings and schematic studies from various vantage points to aid in the design development and discussion. I also provided 2D CAD drawings of all elements.

My role was to support designer Jason Sherwood through the process of designing this show. Previous, my collaborations with Jason have been to come in after the design process and render out the final design. Here, we spent a few months kicking the design around and experimenting with multiple looks before landing on the final design.

Various studies of interior spaces.

Yes....robots.

Various studies of lighting and camera work for detail concert renderings.

My concepts for military type vehicles modified from existing cars and featuring stage lighting units instead of actual weaponry.

Various studies of lighting treatments, materials, products and environments.

Product shots and lighting studies.

My own take on modern stage lighting fixtures with some renders of existing and current technology as well.

Mixing Photo scanned geometry with my own built elements and backgrounds.

Digital models of analog tools. Pens and camera model provided by dimensiva.com

2016 Democratic National Convention.  Designed by Bruce Rodgers: Tribe Inc.

Lady Gaga.  Production design by Bruce Rodgers: Tribe Inc.

VOLTA: Cirque Du Soleil. Production design by Bruce Rodgers: Tribe, Inc.

Coldplay ft. Beyonce and Bruno Mars. Production design by Bruce Rodgers: Tribe, Inc.

Production design by Bruce Rodgers: Tribe, Inc.

Rihanna and Kanye West perform for DirecTV saturday night before the Super Bowl.  Prouction design by Bruce Rodgers: Tribe, Inc.

Opening Ceremonies. Designed by Bruce Rodgers, Tribe, Inc. With Cirque Du Soleil.

Katy Perry Half Time show. Production design by Bruce Rodgers: Tribe, Inc.

Production Design by Bruce Rodgers, Tribe, Inc.

Production Design by Bruce Rodgers, Tribe, Inc.

Production Design by Bruce Rodgers : Tribe, Inc.

2015 and 2016 CMAs.  Various artist look/dev. Production designer: Bruce Rodgers: Tribe, Inc.

Various Projects led and designed by MAS Event + Design. Most of this work is pre-2013.

Various Projects led and designed by MAS Event + Design

Archive of older work on various projects.